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“The ‘Belle de Jour’ connection is more than marketing. Toraille frames Maria Pie’s indecision exactly as Buñuel framed Severine’s. But where Buñuel used wide angles, Toraille uses extreme close-ups. The 8K scan captures every micro-expression. Astonishing.” — ultrafilms maria pie belle de jour 18112 new
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If Maria Pia is to be associated with "ultrafilms" or new cinematic ventures, it's an exciting prospect. The film industry has seen numerous actresses who have brought new energy to their roles, pushing the envelope with their performances. A new or upcoming film featuring Maria Pia could signify a fresh wave of talent and storytelling. But where Buñuel used wide angles, Toraille uses
The success of this release has already prompted Ultrafilms to announce two further “18112-origin” restorations: a 1972 short starring Maria Pie’s stage partner Gérard Bordeau and a lost documentary about the making of Trois Visages de Midi . For collectors, the “18112 New” keyword now functions as a —a password identifying those who value forensic restoration over algorithmic upscales.
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"Belle de Jour" is one of Maria Pie's most acclaimed works, and the 18112 new edition is a testament to her ongoing creative vision. The film is loosely based on the 1967 French New Wave classic "Belle de Jour" by Luis Buñuel, but Pie's interpretation is distinctly her own. The title "Belle de Jour" translates to "Beauty of the Day," which aptly describes the film's themes of luminosity, beauty, and the human condition.
Mirroring the original film's exploration of various fetishes and fantasies, these modern interpretations often focus on character-driven eroticism rather than just performance. The Tufts Daily or perhaps a deeper dive into the cinematic history of the original Belle de Jour Belle de jour - Berkeley - BAMPFA