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While the original 1973 release was praised for its "vaporous intensity," the 2005 remaster (released by Spoon Records ) breathed new life into the recordings. Remastered by Andreas Torkler , this version focused on clarifying the dense layers of Irmin Schmidt’s synthesizers and Holger Czukay’s intricate tape edits. What Is Lossless Audio, and Do You Really Need It? - WIRED
The 2005 remaster, overseen by Irmin Schmidt and sound engineer Andreas Torkler, achieved several critical breakthroughs: 1. Expanded Dynamic Range
For an album as atmospheric and texturally complex as Future Days , the format is the definitive way to listen.
The album's opening track, "Sing Swan Song," sets the tone for the record, with Irmin Schmidt's soaring vocals and poetic lyrics accompanied by the band's intricate instrumentation. The song's dreamy, psychedelic quality is balanced by the driving rhythms of "North," which showcases Jaki Liebezeit's innovative drumming and Holger Czukay's melodic bass lines.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Future Days marked a radical departure in tone. The jagged, propulsive edges of tracks like "Vitamin C" or "Halleluwah" were smoothed out, replaced by a softer, more impressionistic approach. The album consists of just four tracks, each functioning less like a traditional song and more like a self-sustaining ecosystem.
Hip-hop and electronic producers continue to marvel at Jaki Liebezeit’s drumming, which achieved the perfect consistency of a digital sampler decades before the technology existed.
Future Days is widely regarded as a cornerstone of ambient rock and a precursor to the "post-rock" movement of the 1990s. Its DNA can be found in the expansive soundscapes of bands like Talk Talk ( Spirit of Eden ), Bark Psychosis, and Tortoise. Similarly, the album's rhythmic precision and texturing heavily influenced Radiohead, particularly during their Kid A and In Rainbows eras.
Future Days is the sound of a band discovering . With Suzuki’s lyrics becoming sparse, cryptic mantras (in his invented “Gibberish” language), and the rhythm section of Jaki Liebezeit and Holger Czukay locking into a hypnotic, minimalist pulse, the album floats.
In the early 1970s, CAN was at the peak of their creative output, having already released several albums that garnered critical acclaim. "Future Days" was the band's fifth studio album, recorded in March 1973. The album marked a significant point in CAN's evolution, showcasing a more refined and structured approach to their music while still maintaining their experimental edge.
For the digital age, this SACD was meticulously ripped and converted into high-resolution FLAC files.
Czukay’s foundational basslines are warm and round, driving the tracks forward without overpowering the fragile higher frequencies. Why FLAC is the Ultimate Format for Future Days
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While the original 1973 release was praised for its "vaporous intensity," the 2005 remaster (released by Spoon Records ) breathed new life into the recordings. Remastered by Andreas Torkler , this version focused on clarifying the dense layers of Irmin Schmidt’s synthesizers and Holger Czukay’s intricate tape edits. What Is Lossless Audio, and Do You Really Need It? - WIRED
The 2005 remaster, overseen by Irmin Schmidt and sound engineer Andreas Torkler, achieved several critical breakthroughs: 1. Expanded Dynamic Range
For an album as atmospheric and texturally complex as Future Days , the format is the definitive way to listen.
The album's opening track, "Sing Swan Song," sets the tone for the record, with Irmin Schmidt's soaring vocals and poetic lyrics accompanied by the band's intricate instrumentation. The song's dreamy, psychedelic quality is balanced by the driving rhythms of "North," which showcases Jaki Liebezeit's innovative drumming and Holger Czukay's melodic bass lines. CAN - Future Days -1973- Remaster -2005- FLAC -...
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Future Days marked a radical departure in tone. The jagged, propulsive edges of tracks like "Vitamin C" or "Halleluwah" were smoothed out, replaced by a softer, more impressionistic approach. The album consists of just four tracks, each functioning less like a traditional song and more like a self-sustaining ecosystem.
Hip-hop and electronic producers continue to marvel at Jaki Liebezeit’s drumming, which achieved the perfect consistency of a digital sampler decades before the technology existed. While the original 1973 release was praised for
Future Days is widely regarded as a cornerstone of ambient rock and a precursor to the "post-rock" movement of the 1990s. Its DNA can be found in the expansive soundscapes of bands like Talk Talk ( Spirit of Eden ), Bark Psychosis, and Tortoise. Similarly, the album's rhythmic precision and texturing heavily influenced Radiohead, particularly during their Kid A and In Rainbows eras.
Future Days is the sound of a band discovering . With Suzuki’s lyrics becoming sparse, cryptic mantras (in his invented “Gibberish” language), and the rhythm section of Jaki Liebezeit and Holger Czukay locking into a hypnotic, minimalist pulse, the album floats.
In the early 1970s, CAN was at the peak of their creative output, having already released several albums that garnered critical acclaim. "Future Days" was the band's fifth studio album, recorded in March 1973. The album marked a significant point in CAN's evolution, showcasing a more refined and structured approach to their music while still maintaining their experimental edge. - WIRED The 2005 remaster, overseen by Irmin
For the digital age, this SACD was meticulously ripped and converted into high-resolution FLAC files.
Czukay’s foundational basslines are warm and round, driving the tracks forward without overpowering the fragile higher frequencies. Why FLAC is the Ultimate Format for Future Days