Aditya Chari’s approach to portraiture relies on logic, observation, and structural accuracy. Rather than copying what you see, his techniques teach you to understand what you are looking at . By mastering the basic geometry of the skull, recognizing facial planes, and controlling tonal values, any artist can significantly elevate their portrait drawings.
The darkest area of the shadow side where the form turns away from the light.
: Lessons on using varied tools such as drawing crayons, pastels, sketch pens, microtip pens, and even "stumping powder" for smooth blending. aditya chari portrait techniques pdf
The first page of any "Aditya Chari Portrait Techniques" PDF would not start with shutter speed. It starts with empathy.
A key highlight of the Portrait Techniques manual is its granular breakdown of individual features. Chari advises artists to never draw lines around features, but rather to draw the planes that form them. Aditya Chari’s approach to portraiture relies on logic,
: The physical book is often available through Indian retailers like or specialized art stores like Hindustan Trading Company Digital Access : You can find summarized versions and previews on shading steps or a comparison with other portrait masters like Andrew Loomis
In his publications, Chari showcases a command over various traditional mediums, including graphite, charcoal, and conté crayons. His mark-making is deliberate and follows the contour of the form. The darkest area of the shadow side where
This landmark defines the widest part of the face and acts as the dividing ridge between the front plane of the face and the side plane.
The darkest area on the shadow side, running along the terminator line.
The jaw is treated as a separate geometric unit attached to the cranial sphere. By extending lines down from the temples and sides of the sphere, you establish the boundaries of the jawline and chin. Chari emphasizes dividing the face into three equal vertical sections: Hairline to eyebrows. Eyebrows to the base of the nose. Base of the nose to the bottom of the chin. 2. Anatomical Landmarks and Proportions